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Zeitoun (Vintage)

Zeitoun (Vintage)
By Dave Eggers

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Product Description

The true story of one family, caught between America’s two biggest policy disasters: the war on terror and the response to Hurricane Katrina.
 
Abdulrahman and Kathy Zeitoun run a house-painting business in New Orleans. In August of 2005, as Hurricane Katrina approaches, Kathy evacuates with their four young children, leaving Zeitoun to watch over the business. In the days following the storm he travels the city by canoe, feeding abandoned animals and helping elderly neighbors. Then, on September 6th, police officers armed with M-16s arrest Zeitoun in his home. Told with eloquence and compassion, Zeitoun is a riveting account of one family’s unthinkable struggle with forces beyond wind and water.

A New York Times Notable Book
An O, The Oprah Magazine Terrific Read of the Year
A Huffington Post Best Book of the Year
A New Yorker Favorite Book of the Year
A Chicago Tribune Favorite Nonfiction Book of the Year
A Kansas City Star Best Book of the Year
A San Francisco Chronicle Best Book of the Year
An Entertainment Weekly Best Book of the Decade


Product Details

  • Amazon Sales Rank: #1211 in Books
  • Published on: 2010-06-15
  • Released on: 2010-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .77" h x 5.28" w x 7.94" l, .73 pounds
  • Binding: Paperback
  • 368 pages

Editorial Reviews

From The New Yorker
Through the story of one man’s experience after Hurricane Katrina, Eggers draws an indelible picture of Bush-era crisis management. Abdulrahman Zeitoun, a successful Syrian-born painting contractor, decides to stay in New Orleans and protect his property while his family flees. After the levees break, he uses a small canoe to rescue people, before being arrested by an armed squad and swept powerlessly into a vortex of bureaucratic brutality. When a guard accuses him of being a member of Al Qaeda, he sees that race and culture may explain his predicament. Eggers, compiling his account from interviews, sensibly resists rhetorical grandstanding, letting injustices speak for themselves. His skill is most evident in how closely he involves the reader in Zeitoun’s thoughts. Thrown into one of a series of wire cages, Zeitoun speculates, with a contractor’s practicality, that construction of his prison must have begun within a day or so of the hurricane.

From Bookmarks Magazine
The New York Times Book Review called Zeitoun "the stuff of great narrative fiction," and critics agreed that Eggers tells Zeitoun's tragic story without the postmodern trickery and tirades he has exhibited in previous works. Instead, he allows the story to tell itself while imbuing Zeitoun's tragedy with deep sympathy and emotion. Although Eggers didn't witness Hurricane Katrina's devastation firsthand, he captures the experience through Zeitoun's eyes and approaches his subject very intimately. A few critics noted that while this perspective was convincing, it required "faith on the part of the reader that everything in the book happened as it appears here" (San Francisco Chronicle). But this was a minor complaint in an overall unforgettable story.

From Booklist
*Starred Review* Eggers burst onto the scene in 2000 with his hugely successful memoir, A Heartbreaking Work of Staggering Genius. Unlike many memoirists, he has resisted the temptation to parcel out the unpublished parts of his life into yet more memoirs. Instead, in his most compelling works since his debut, he has told the stories of others. What Is the What (2006) explored, in novel form, the ordeals of Valentino Achak Deng, a Sudanese “lost boy,” and now Eggers chronicles, as nonfiction, the tribulations of Abdulrahman Zeitoun, a Syrian American painting contractor who decides to ride out Hurricane Katrina in New Orleans. Although his wife, Kathy, leaves town with their four children, Abdulrahman (known as Zeitoun because few locals can pronounce his first name) stays behind, hoping to protect their home, their job sites, and their rental properties. After the storm, he paddles the flooded streets in a canoe, rescuing stranded people, feeding trapped dogs, and marveling at the sometimes surreal beauty of the devastation. Was it God’s plan that he help others? he wonders. Then people in uniforms take him at gunpoint and incarcerate him. There are no charges, only the guards’ insistence that he is “al Qaeda” and “Taliban.” Zeitoun’s odyssey—23 days of grueling imprisonment, held incommunicado and deprived of all due process—is but one nightmare of many lived after Katrina. But it is exceptionally well told: here, as in What Is the What, Eggers employs a poetic, declarative style, shaping the narrative with subtlety and grace. More importantly, it is exceptionally well chosen. In the wake of disaster, we often cling to stories reassuring us that we respond to trials heroically. But Zeitoun reminds us that we are just as capable of responding to fear fearfully, forgetting the very things we claim to value most. Heartbreaking and haunting. --Keir Graff